The Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications. The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
FEATURES:
Advanced Surround Functions:
THX pm3 mode
Additional Base Management Parameters
Surround Pan On/Off (by using Follow Pan switch)
Advanced DAW Integration:
Advanced DAW Control Protocol (Nuendo/CubaseSX control from Selected Channel)
Surround pan control on Pro Tools Remote
Automix:
Automix Static Insert for clip based automationAutomix Touch Sense Edit in all
Broadcast Applications:
Pre Fader SOLO with PAN
Fader/Solo Release
Live SR/Theater Applications:
Fader Group Master
Mute Group Master
Alternative Layer Control by Encoders
Instant Group Assignment with User Defined Keys
AUX Pre Fader Pre ON (AUX Pre Point)
Instant AUX Monitoring (AUX/SOLO Link)
Global Paste to Multiple Scenes
Others:
AD8HR Support
Additional Mini-YGDAI card support (AVIOM16/o-Y1, Auvitran AVY16-ES, and more)
Internal Signal Processing: 32-bit (Accumulator 58-bit)
SAMPLING FREQUENCY
Internal: 44.1kHz, 48kHz, 88.2kHz, 96kHz
External: Normal rate 44.1kHz-10% – 48kHz+6%, Double rate 88.2kHz-10% – 96kHz+6%
SIGNAL DELAY
Less than 1.6ms CH INPUT to OMNI OUT (@Sampling frequency = 48kHz)
Less than 0.8ms CH INPUT to OMNI OUT (@Sampling frequency = 96kHz)
Fader: 100mm motorized with touch sense x 17
Total Harmonic Distortion (Input Gain=Min) / [CH INPUT to OMNI OUT]:
Less than 0.05% 20Hz to 20kHz @+14dB into 600 ?
Less than 0.01% 1kHz @+24dB into 600 ?
(@Sampling frequency = 48kHz)
Less than 0.05% 20Hz to 40kHz @+14dB into 600 ?
Less than 0.01% 1kHz @+24dB into 600 ?
(@Sampling frequency = 96kHz)
FREQUENCY RESPONSE / [CH INPUT to OMNI OUT]:
0.5, -1.5dB 20Hz – 20kHz @+4dB into 600 ?
(@Sampling frequency = 48kHz)
0.5, -1.5dB 20Hz – 40kHz @+4dB into 600 ?
(@Sampling frequency = 96kHz)
DYNAMIC RANGE (maximum level to noise level):
110dB typ. DA Converter (OMNI OUT)
106dB typ. AD+DA (to OMNI OUT) @fs=48kHz
106dB typ. AD+DA (to OMNI OUT) @fs=96kHz
HUM & NOISE (20Hz-20kHz) /
[Rs=150 ?, Input Gain=Max, Input Pad=0dB, Input Sensitivity=-60dB]:
-128dB Equivalent Input Noise
-86dB residual output noise OMNI OUT
STEREO OUT off
-86dB (90dB S/N) OMNI OUT
STEREO fader at nominal level and all CH INPUT faders at min level
-64dB (68dB S/N) OMNI OUT
STEREO fader at nominal level and one CH INPUT fader at nominal level
Maximum Voltage Gain: 74dB CH INPUT (CH1-16) to OMNI OUT (STEREO, BUS, AUX) (via STEREO bus)
Crosstalk (@1kHz, Input Gain=Min): 80dB adjacent input channels (CH1-16). 80dB input to output.
POWER REQUIREMENTS:
U.S/Canada: 120V 135W 60Hz
CE: 220-240V 135W 50/60Hz
YAMAHA DM1000V2 DIGITAL MIXER
Call for Price - Day Rate
The Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications. The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
FEATURES:
Advanced Surround Functions:
THX pm3 mode
Additional Base Management Parameters
Surround Pan On/Off (by using Follow Pan switch)
Advanced DAW Integration:
Advanced DAW Control Protocol (Nuendo/CubaseSX control from Selected Channel)
Surround pan control on Pro Tools Remote
Automix:
Automix Static Insert for clip based automationAutomix Touch Sense Edit in all
Broadcast Applications:
Pre Fader SOLO with PAN
Fader/Solo Release
Live SR/Theater Applications:
Fader Group Master
Mute Group Master
Alternative Layer Control by Encoders
Instant Group Assignment with User Defined Keys
AUX Pre Fader Pre ON (AUX Pre Point)
Instant AUX Monitoring (AUX/SOLO Link)
Global Paste to Multiple Scenes
Others:
AD8HR Support
Additional Mini-YGDAI card support (AVIOM16/o-Y1, Auvitran AVY16-ES, and more)
Specifications
Internal Signal Processing: 32-bit (Accumulator 58-bit)
SAMPLING FREQUENCY
Internal: 44.1kHz, 48kHz, 88.2kHz, 96kHz
External: Normal rate 44.1kHz-10% – 48kHz+6%, Double rate 88.2kHz-10% – 96kHz+6%
SIGNAL DELAY
Less than 1.6ms CH INPUT to OMNI OUT (@Sampling frequency = 48kHz)
Less than 0.8ms CH INPUT to OMNI OUT (@Sampling frequency = 96kHz)
Fader: 100mm motorized with touch sense x 17
Total Harmonic Distortion (Input Gain=Min) / [CH INPUT to OMNI OUT]:
Less than 0.05% 20Hz to 20kHz @+14dB into 600 ?
Less than 0.01% 1kHz @+24dB into 600 ?
(@Sampling frequency = 48kHz)
Less than 0.05% 20Hz to 40kHz @+14dB into 600 ?
Less than 0.01% 1kHz @+24dB into 600 ?
(@Sampling frequency = 96kHz)
FREQUENCY RESPONSE / [CH INPUT to OMNI OUT]:
0.5, -1.5dB 20Hz – 20kHz @+4dB into 600 ?
(@Sampling frequency = 48kHz)
0.5, -1.5dB 20Hz – 40kHz @+4dB into 600 ?
(@Sampling frequency = 96kHz)
DYNAMIC RANGE (maximum level to noise level):
110dB typ. DA Converter (OMNI OUT)
106dB typ. AD+DA (to OMNI OUT) @fs=48kHz
106dB typ. AD+DA (to OMNI OUT) @fs=96kHz
HUM & NOISE (20Hz-20kHz) /
[Rs=150 ?, Input Gain=Max, Input Pad=0dB, Input Sensitivity=-60dB]:
-128dB Equivalent Input Noise
-86dB residual output noise OMNI OUT
STEREO OUT off
-86dB (90dB S/N) OMNI OUT
STEREO fader at nominal level and all CH INPUT faders at min level
-64dB (68dB S/N) OMNI OUT
STEREO fader at nominal level and one CH INPUT fader at nominal level
Maximum Voltage Gain: 74dB CH INPUT (CH1-16) to OMNI OUT (STEREO, BUS, AUX) (via STEREO bus)
Crosstalk (@1kHz, Input Gain=Min): 80dB adjacent input channels (CH1-16). 80dB input to output.
POWER REQUIREMENTS:
U.S/Canada: 120V 135W 60Hz
CE: 220-240V 135W 50/60Hz
Operating temperature: 10~35?C
Storage temperature: -20~60?C
SIZE:
17.2″ x 23″ x 7.9″
436 x 585 x 200 mm
WEIGHT:
44 lb (20 kg)
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