Patel began his career in the television industry in 1978 where he worked for the BBC in White City, London. For the past 39 years, Patel has found the changes in technology and television entertainment compelling enough to keep him interested and excited about what he does. He has always worked primarily as an engineer and most recently has worked with several DPs on Beyonce, Taylor Swift, Pearl Jam, the iTunes Film Festival in London and the first ever LIVE Snickers commercial for Super bowl 2017 in 4k. Patel’s interests outside of work include enjoying the national parks, camping, volleyball, soccer and hiking.
Tracy Leming is Imagecraft’s General Manager. After 20+ years in the TV industry Tracy has done everything from front desk reception to rental agent. Tracy enjoys her job, loves her clients, and is excited to be at Imagecraft. Tracy moved from a small town in Northern California to the Los Angeles area in 1997. In her spare time Tracy likes to garden, travel, paint furniture, and play softball. She also enjoys spending time with her family and friends. Tracy is especially close to her two children, Kourtnee and Brandon, and has a boxer named Dude.
Jason Been is the Owner and President of Imagecraft Productions. Jason has been in the television production industry for over 20 years. He started his career in San Diego working sporting events with the San Diego Chargers and San Diego Padres. He soon met Robin Hirsch and Gar Smith, Co-Founders of Imagecraft Productions. He moved to LA to work with Robin and Gar and ended up on staff with Imagecraft full time. Jason eventually took ownership of Imagecraft and has continued to build it into one of LA’s best production equipment rental houses.
Efren Navarro is one of Imagecraft Productions’ shop techs. Efren is a born and raised Californian who has been in the entertainment industry for over 15 years. Efren has experience working with cameras, lenses, operating switcher boards, working as a lighting tech and grip. Efren is hands on and face to face with clients on a daily basis at Imagecraft. He knows the importance of good customer service and works hard to make sure Imagecraft’s clients are happy and have what they need.
Nick Casas has been working in rental houses for over 10 years. Nick works alongside his brother Jason Casas and Efren Navarro building, shipping, and receiving equipment for clients. Nick loves to play golf and enjoys spending as much time with his family as possible.
Jason “JC” Casas started working in production as a driver in 2008. He really enjoys the fast pace work flow of a shop and learning about the new innovative equipment. After working at several rental houses around LA, JC found his way to Imagecraft. “This is my fourth year with Imagecraft and I love the small family feel of the office.” Being a shop tech is something he finds challenging and rewarding day in and day out. JC loves a great game of golf, shooting firearms, playing slow pitch softball, fishing, and spending any chance he gets with family.
Rob Dietze graduated from University of Central Florida with degrees in Film, Radio and Television. He began his career working at Universal Studios Florida as a Live Show Technical Director, Weapons Tech, and Pyro Tech. In 2001, Rob moved to Los Angeles where he began doing freelance production work. Rob met Jason while working on ‘Supernanny‘ as a First AC and Technical Coordinator. In 2011 Rob made the move from freelance to staff as Imagecraft’s Camera Engineer.
In a land where the evil Emperor K-os reigns, one girl embarks on a journey to restore order, schedules, and the integrity of math for the people of the land, The Crew. Meet Lindsay. Lindsay was just an average A+ student at Miami University of Ohio double-majoring in communication and interactive media studies, working 2 part time jobs, and playing softball. Until one day, she saw an ad for Miami’s film club… and everything changed. After dipping her toe in as Director of Programming for the region’s first international film festival, she dove in to every film/commercial/doc project available and gradually realized she wasn’t the same as the other kids. Her skills were unlike anything they’d ever seen. She could itemize budgets, locate large crews, color-coordinate spreadsheets, and manipulate a scheduling matrix with the swiftness of a ninja through the shadows. After graduating early, she tried to hide her abilities and disguised herself as a mindless PA at a local news station, but the calling was too strong and the world needed her. In 2010, she headed to LA in search of a challenge. Her pilgrimage took her from freelance PA to Coordinator to Manager, through the realms of Film, Livestreaming, Music Videos and Commercials until she arrived in a foggy, rule-defying land called Reality TV. In 2011, she discovered a time portal that took her to Imagecraft. There she found a properly equipped battle station where she continues to coordinate her plans. Will she ever defeat her lifelong nemesis, K-os? Will she find the enduring strength to do battle with his minions, The Producers? Will she become the hero we need? Now playing in a Burbank rental house near you.
Ben Fuller is originally from small town Massachusetts, and moved to LA in 2004 to pursue acting. He started at Imagecraft in 2006, and transitioned pretty early on from runner to shop tech, and shortly after to shop manager. Ben is now Imagecraft’s Rentals Manager. “Getting to deal with clients on a daily basis is a good place for me. I still maintain open lines of communication with the shop staff, which has evolved quite a bit since my days in the trenches.” Ben is a huge Boston sports fan, a karaoke junkie, and is always up for an adventure.
Mark Alexander has been in the TV industry since 1980. Mark started his career at B.E.R.C. as a driver, and landed here at Imagecraft Productions 37 years later. Mark’s experience in the industry ranges from delivery driver, to Sound Operator, to Director of Field Operations, and eventually to his position here at Imagecraft as Strategic Account Manager. Mark has been married to his wife Kelli for 35+ years. They have 2 kids and a miniature dachshund named Cool. He loves wine tasting, plays in a dodge ball league, and is an avid reader of history and non-fiction books. He’s even a single digit golfer…sometimes.
Gene Duggan has worked for Imagecraft Productions since 2012. Gene started his career in the TV production industry in 1990 at B.E.R.C., working his way from equipment delivery driver to operations manager. Gene is now Imagecraft’s Director of Sales and Business Development. At work, Gene’s number one priority is his clients and their productions. In his spare time, Gene enjoys spending time with his wife and two sons and playing golf, softball, and basketball.
Teranex AV
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Teranex converters are the ultimate SD, HD and Ultra HD standards converters, and give you the quality and speed mandated by broadcasters worldwide. You can choose from models that give you up to a massive 1089 conversions, a wide range of broadcast connections, low latency processing, HDMI loop through and more! You get up, down, cross and standards conversions between virtually all SD, HD and Ultra HD formats and frame rates, including 3:2 cadence removal and insertion! Featuring advanced patented algorithms, Teranex converters give you visually transparent, high quality conversions in full 10-bit quality, complete with audio, closed captions, timecode and more!
Advanced HDMI Processing
Convert HDMI to SDI without additional hardware!
With Teranex AV you also get HDMI input, loop through and outputs for the ultimate in flexibility at live events! That means you can do HDMI to SDI conversions without needing external adapters or conversion equipment! Regardless of your input format, you can loop out via HDMI to send the signal to a big screen projector while simultaneously converting and sending the signal to downstream equipment likes decks and monitors. You can even take the audio from AES, analog and RCA HiFi inputs and embed it into both HDMI and SDI during the conversion process!
Specifications
SDI Video Inputs
1x BNC (IN A) – 10-bit SD, HD, 2K, 3G HD levels A and B, 6G and 12G Ultra HD auto switching.
1x BNC (IN B) – 10-bit SD, HD, 2K, 3G HD levels A and B, 6G and 12G Ultra HD auto switching. Usable as 2nd input or for dual link input for 4:2:2 3G or 6G Ultra HD
SDI Video Input L oops
1x BNC (IN A Loop) – Reclocked, 10-bit SD, HD, 2K, 3G HD, 6G and 12G Ultra HD auto switching.
1x BNC (IN B Loop) – Reclocked, 10-bit SD, HD, 2K, 3G HD, 6G and 12G Ultra HD auto switching.
SDI Video Outputs
1x BNC (OUT A) – 10-bit SD, HD, 2K, 3G HD levels A and B, 6G and 12G Ultra HD auto switching.
1x BNC (OUT B) – 10-bit SD, HD, 2K, 3G HD levels A and B, 6G and 12G Ultra HD auto switching. Usable as dual link output for 4:2:2 3G or 6G Ultra HD.
Quad SDI Video Outputs
4x BNC (Channels A, B, C, D) – 10-bit 3G-SDI Quad Link or Quad HD Split for Ultra HD p50/59.94/60; 10-bit 1.5G-SDI Quad HD Split for Ultra HD p23/24/25/29/30. For other output formats, these connectors will supply four replicated SDI outputs.
HDMI Video Inputs
1x HDMI 2.0 type A connector. YUV or RGB, auto switching.
HDMI Video Loop Inputs
1x HDMI 2.0 type A connector. Active Input loop.
HDMI Video Outputs
1x HDMI 2.0 type A connector. YUV or RGB, user selectable.
SDI Audio Inputs
16 channels in SD, HD, 3G HD, 2K and Ultra HD.
SDI Audio Outputs
16 channels in SD, HD, 3G HD, 2K and Ultra HD.
HDMI Audio Inputs
8 channels in SD, HD, 3G HD, 2K and Ultra HD.
HDMI Audio Outputs
8 channels in SD, HD, 3G HD, 2K and Ultra HD.
Optical Fiber Connection (optional)
1x SMPTE optical fiber SFP socket.
Optical Fiber Video Inputs
1x 10bit SD, HD, 3G HD, 2K, Ultra HD auto switching.
Optical Fiber Video Outputs
1x 10bit SD, HD, 3G HD, 2K, Ultra HD auto switching.
Optical Fiber Audio Inputs
16 channels in SD, HD, 3G HD, 2K and Ultra HD.
Optical Fiber Audio Outputs
16 channels in SD, HD, 3G HD, 2K and Ultra HD.
Analog Audio Inputs
2x XLR – 2 channels professional balanced analog audio (XLRs are shared with AES/EBU inputs) .
2x RCA – stereo unbalanced analog audio on RCA connectors for consumer equipment.
AES/EBU Digital Audio Inputs
2x XLR – 2 pairs (4 channels) professional 110? balanced digital audio (XLRs are shared with analog inputs)
Dolby® Support Built In
Dolby® AC-3 pass through in all conversions. Dolby® E pass through except during video frame rate conversions.
Timecode Inputs
Support for VITC/ATC. No support for LTC.
Timecode Outputs
Support for VITC/ATC. No support for LTC.
Multi Rate Support
SDI connections are switchable between standard definition, high definition and Ultra HD. SDI switches between 270 Mb/s standard definition SDI, 1.5 Gb/s HD-SDI and 2K SDI, 3G HD, 6G and 12G Ultra HD.
Reference Input
1x BNC – Black Burst in SD or Tri-level sync in HD.
Reference Output
1x BNC – Internal reference generator providing blackburst or tri-level sync output at the current output frame rate.
Computer Interface
1 x USB type C port for software updates. 1 x RJ45 Gigabit Ethernet for remote control and configuration.
Processor Interface
Illuminated pushbuttons, status LEDs and LCD with easy to use onscreen menus.
SD Video Standards
525i59.94 NTSC, 625i50 PAL
1.5G-SDI HD Video Standards
720p50, 720p59.94, 720p60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30,
1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
1080i50, 1080i59.94, 1080i60
3G-SDI HD Video Standards
1080p50, 1080p59.94, 1080p60 levels A and B
2K Video Standards
2K DCI 23.98p, 2K DCI 24p
2K DCI 23.98PsF, 2K DCI 24PsF
Ultra HD Video Standards
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Compliance
SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 425M
SDI Metadata Support
VITC/ATC support, SMPTE 12M. Video indexing support including WSS, RP186 and AFD, SMPTE 2016. Closed captioning support for conversions to and from 608 and 708, SMPTE 334M.
Audio Sampling
Television standard sample rate of 48kHz and 24-bit HD, 20-bit SD.
Video Sampling
4:2:2
Color Precision
10-bit
Color Space
REC 601, REC 709
SDI Video Standards
525 NTSC, 625 PAL, 720HD, 1080HD, 2K DCI and Ultra HD 3840 x 2160 switchable.
HDMI Color Precision
4:2:2 10-bit
Copy Protection
HDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.
Aspect Ratio Conversion
Real time variable and fixed aspect ratio conversions.
Real Time Video Processing
Includes noise reduction, cadence detection with insertion/removal, scene cut detection, color correction and proc amp control
Low Latency Processing
Real time processing with 2 frame latency, available for select format conversions.
Format Conversion
Real time up conversion, down conversion , cross conversion and SD/HD/Ultra HD standards conversion.
Colorspace Conversion
Hardware based real time
Still Store
Capture a video frame into non-volatile memory from the current input signal or freeze frame buffer.
Freeze Frame
Temporarily freeze incoming live video.
Test Patterns
SMPTE 75% Bars; full field color bars 75%; convergence grid; multiburst ; black with selectable audio tones and selectable horizontal pattern motion.
Output Switching
Output may be switched between the input video, internal black, user still frame or a freeze frame from the input video. The transition rate between output choices has a range of 0 to 5 seconds. A transition forces a dissolve through black.
Software
Software Control
Teranex Setup software control application included free of charge for changing settings via Windows 8.1, Windows 10 and Mac OS X.
Internal Software Upgrade
Via USB type C using the included Teranex Setup application.
Power Requirements
Power Supply
1 x built-in international AC power supply with IEC C14 inlet. IEC power cable required. 100-240V, 50-60Hz
Typical Power Consumption
42 watts
Environmental Specifications
Operating Temperature
5° to 50° C (41° to 122° F)
Storage Temperature
-20° to 45° C (-4° to 113° F)
Relative Humidity
0% to 90% non-condensing
What’s Included
Teranex AV
SD card with software and manual
2 x Bumper guards with 4x M4 screws
Operating Systems:
Mac OS X 10.11 El Capitan,
macOS 10.12 Sierra,
macOS 10.13 High Sierra or later.
Windows Icon
Windows 8.1 or Windows 10.
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