The 664 Field Production Mixer is the new flagship in the Sound Devices line of portable audio mixers. Building on the foundation of the popular 552 mixer, the intuitive 664 has six inputs channels and four output buses. All inputs and outputs are recordable to both CF and SD cards. This unprecedented amount of I/O connectivity and recording capability makes the 664 perfect for any production application.
FEATURES:
664:
Six high-bandwidth, low noise microphone preamplifiers with phantom, limiters, high-pass, pan, and direct outputs per channel
Four output buses, Left, Right and Aux 1, Aux 2; transformer-balanced for freedom from ground loops; multiple output connectors, including dual multi-pin
Built-in recorder, records all inputs and output buses: 10 tracks total. With CL-6 attached: 16 tracks total.
Broadcast WAV recording to dual memory card slots, CF and SD
Record different track combinations and to each card type
High-precision, Ambient Recording-based time code generator/reader with auto-recharging of internal TC battery
Time code compare tool to measure offset from internal and external time code
Quick, intuitive interface via sunlight readable, transflective LCD menu control
Main controls on dedicated knobs and switches
Two AES42/AES3 digital inputs (input connectors 1 and 6)
AES3 output selection, up to eight channels of AES out (XLR, multi-pin)
Expanded return monitoring capabilities, with three camera returns
Dedicated communication circuit (PL)
Built-in slate microphone and external slate microphone input connector
Powered by AA-battery x5 or isolated (floating) external DC, 10-18V
Metalized, gasketed carbon-fiber chassis panels for light weight and durability
CL-6:
Adds six balanced, line-level inputs (via the 664 Direct Output connectors)
Adds six full-sized tactile-touch fader knobs
Sunlight-viewable LED metering
Arm indication of L, R, X1 and X2 buses
Big, backlit Record and Stop controls
PFL / solo toggle switch per input
Hi-pass filter per input
Trim level per input
Output routing to L, R, X1 and X2 buses
SPECIFICATIONS:
Frequency Response: 20 Hz to 50 kHz, +/- 0.5 dB
THD + Noise: 0.09% max (1 kHz, 22 Hz-22 kHz BW, fader at 0, 0 dBu output)
Equivalent Input Noise: -126 dBu (-128 dBV) maximum. (22 Hz – 22 kHz bandwidth, flat filter, trim control fully up)
INPUTS:
XLR Mic: active-balanced for use with <=600 ohm mics, 4k ohm actual; 12V or 48V phantom power, 10 mA max
XLR AES: AES3 or AES42 (10 V power), SRC
XLR Line: active-balanced for use with <=2k ohm outputs, 10k ohm actual TA3 Line (with CL-6): active-balanced for use with <=2k ohm outputs, 10k ohm actual
RTN A,B,C (3.5 mm/10-pin): unbalanced stereo for use with <=2k ohm outputs, 30k ohm actual
MAX INPUT LEVEL:
XLR Mic: 0 dBu (0.78 Vrms)
XLR Line: +40 dBu (80 Vrms)
RTN A,B,C (3.5 mm/Multi-pin): +24 dBu (12.4 Vrms)
High-Pass Filters: Sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz, 6 dB/octave at 240 Hz
Input Limiters: Individual limiters on both trim and fader stages, +16 dBu threshold, 20:1 limiting ratio, 1 mS attack time, 500 mS release time
Link I/O: Unbalanced stereo for linking to MixPre, 302, 442, 552, and 664; 2k ohm impedance
Maximum Gain:
Mic-In-to-Line-Out: 93 dB
Mic-In-to-Aux-Out, -10 Out: 79 dB
Line-In-to-Line-Out: 39 dB
OUTPUT TYPE:
Line: transformer-balanced for use with >=600 ohm inputs, 100 ohms
-10: transformer-balanced for use with >=10k ohm inputs, 3.2k ohm
Mic: transformer-balanced for use with >=600 ohm inputs, 150 ohms
TA3 Mic/Line: active-balanced, pin-2 and 3 driven, for use with >=3k ohm inputs, 1k ohm
TA3 Direct Outs Mic/Line: active-balanced, pin-2 and 3 driven, use with >=3k ohm inputs, 1k ohm
Tape Outs (3.5 mm and TA3-type): unbalanced, stereo, use with >=6k ohm input, 1.8k ohm actual
Headphones (3.5 mm and 1/4″): unbalanced, stereo, use with 8-2k ohm headphones, 50 ohms
Line Output Clipping Level: (1% THD) 20 dBu minimum with 10k load
Maximum Output Level:
Line: +20 dBu (7.8 Vrms)
-10: +6 dBu (1.5 V rms)
Mic: -20 dBu (0.078 Vrms)
Tape Outs: +6 dBu (1.5 Vrms)
Output Limiters: Affects analog output. Threshold selectable from +4 dBu to +20 dBu, 1 dB steps, 20:1 limiting ratio, 1 mS attack time, 500 mS release time.
Recording Tracks: 10 tracks (6 inputs, 4 output buses); 16 tracks (12 inputs, 4 output buses) with CL-6
A/D: 24-bit, 114 dB, A-weighted dynamic range typical; 44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz SR
Digital Outputs: AES3 transformer-balanced, in pairs; 1-2 XLR-L, 3-4 XLR-R, 5-6, multi-pin 1, 7-8, multi-pin 2, 110 ohm, 2 V p-p, AES and S/PDIF compatible
Recording Storage Type: Secure Digital High Capacity (SDHC), Secure Digital (SD), CompactFlash (CF), FAT32 formatted, will format memory cards on-board, WAV (Broadcast Wave File format) polyphonic
Sample/Timecode Accuracy: ± 0.2 ppm (0.5 frames per 24 hrs)
TIMECODE & SYNC:
Modes Supported: off, Rec Run, Free Run, 24h Run, External
Frame Rates: 23.976,24,25,29.97DF,29.97ND,30DF,30ND
Accuracy: Ambient generator, 0.5 frame in 24 hrs
Time Code Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (-17 dBu – +3 dBu)
Time Code Output: 1k ohm impedance, 3.0V p-p (+12 dBu)
Word In/Out: square wave; 10k/75 ohm, 1-5V p-p input; 75 ohm, 3.3V p-p output, at SR
POWER:
External: isolated 10-18 V on locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-).
Internal: accepts 5 AA-sized (LR6) batteries, 1.2-1.5 V nominal (NiMH rechargeable compatible).
Operating: -20C to 60C, 0 to 90% relative humidity; (non-condensing) Storage: -40C to 85C
SIZE:
2.1″ x 12.6″ x 7.8″
5.3 x 32 x 19.8 cm
WEIGHT:
4 lbs. 12 oz. (unpackaged, without batteries)
SOUND DEVICES 664 WITH CL-6
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The 664 Field Production Mixer is the new flagship in the Sound Devices line of portable audio mixers. Building on the foundation of the popular 552 mixer, the intuitive 664 has six inputs channels and four output buses. All inputs and outputs are recordable to both CF and SD cards. This unprecedented amount of I/O connectivity and recording capability makes the 664 perfect for any production application.
FEATURES:
664:
Six high-bandwidth, low noise microphone preamplifiers with phantom, limiters, high-pass, pan, and direct outputs per channel
Four output buses, Left, Right and Aux 1, Aux 2; transformer-balanced for freedom from ground loops; multiple output connectors, including dual multi-pin
Built-in recorder, records all inputs and output buses: 10 tracks total. With CL-6 attached: 16 tracks total.
Broadcast WAV recording to dual memory card slots, CF and SD
Record different track combinations and to each card type
High-precision, Ambient Recording-based time code generator/reader with auto-recharging of internal TC battery
Time code compare tool to measure offset from internal and external time code
Quick, intuitive interface via sunlight readable, transflective LCD menu control
Main controls on dedicated knobs and switches
Two AES42/AES3 digital inputs (input connectors 1 and 6)
AES3 output selection, up to eight channels of AES out (XLR, multi-pin)
Expanded return monitoring capabilities, with three camera returns
Dedicated communication circuit (PL)
Built-in slate microphone and external slate microphone input connector
Powered by AA-battery x5 or isolated (floating) external DC, 10-18V
Metalized, gasketed carbon-fiber chassis panels for light weight and durability
CL-6:
Adds six balanced, line-level inputs (via the 664 Direct Output connectors)
Adds six full-sized tactile-touch fader knobs
Sunlight-viewable LED metering
Arm indication of L, R, X1 and X2 buses
Big, backlit Record and Stop controls
PFL / solo toggle switch per input
Hi-pass filter per input
Trim level per input
Output routing to L, R, X1 and X2 buses
Specifications
SPECIFICATIONS:
Frequency Response: 20 Hz to 50 kHz, +/- 0.5 dB
THD + Noise: 0.09% max (1 kHz, 22 Hz-22 kHz BW, fader at 0, 0 dBu output)
Equivalent Input Noise: -126 dBu (-128 dBV) maximum. (22 Hz – 22 kHz bandwidth, flat filter, trim control fully up)
INPUTS:
XLR Mic: active-balanced for use with <=600 ohm mics, 4k ohm actual; 12V or 48V phantom power, 10 mA max XLR AES: AES3 or AES42 (10 V power), SRC XLR Line: active-balanced for use with <=2k ohm outputs, 10k ohm actual TA3 Line (with CL-6): active-balanced for use with <=2k ohm outputs, 10k ohm actual RTN A,B,C (3.5 mm/10-pin): unbalanced stereo for use with <=2k ohm outputs, 30k ohm actual MAX INPUT LEVEL: XLR Mic: 0 dBu (0.78 Vrms) XLR Line: +40 dBu (80 Vrms) RTN A,B,C (3.5 mm/Multi-pin): +24 dBu (12.4 Vrms) High-Pass Filters: Sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz, 6 dB/octave at 240 Hz Input Limiters: Individual limiters on both trim and fader stages, +16 dBu threshold, 20:1 limiting ratio, 1 mS attack time, 500 mS release time Link I/O: Unbalanced stereo for linking to MixPre, 302, 442, 552, and 664; 2k ohm impedance Maximum Gain: Mic-In-to-Line-Out: 93 dB Mic-In-to-Aux-Out, -10 Out: 79 dB Line-In-to-Line-Out: 39 dB OUTPUT TYPE: Line: transformer-balanced for use with >=600 ohm inputs, 100 ohms
-10: transformer-balanced for use with >=10k ohm inputs, 3.2k ohm
Mic: transformer-balanced for use with >=600 ohm inputs, 150 ohms
TA3 Mic/Line: active-balanced, pin-2 and 3 driven, for use with >=3k ohm inputs, 1k ohm
TA3 Direct Outs Mic/Line: active-balanced, pin-2 and 3 driven, use with >=3k ohm inputs, 1k ohm
Tape Outs (3.5 mm and TA3-type): unbalanced, stereo, use with >=6k ohm input, 1.8k ohm actual
Headphones (3.5 mm and 1/4″): unbalanced, stereo, use with 8-2k ohm headphones, 50 ohms
Line Output Clipping Level: (1% THD) 20 dBu minimum with 10k load
Maximum Output Level:
Line: +20 dBu (7.8 Vrms)
-10: +6 dBu (1.5 V rms)
Mic: -20 dBu (0.078 Vrms)
Tape Outs: +6 dBu (1.5 Vrms)
Output Limiters: Affects analog output. Threshold selectable from +4 dBu to +20 dBu, 1 dB steps, 20:1 limiting ratio, 1 mS attack time, 500 mS release time.
Recording Tracks: 10 tracks (6 inputs, 4 output buses); 16 tracks (12 inputs, 4 output buses) with CL-6
A/D: 24-bit, 114 dB, A-weighted dynamic range typical; 44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz SR
Digital Outputs: AES3 transformer-balanced, in pairs; 1-2 XLR-L, 3-4 XLR-R, 5-6, multi-pin 1, 7-8, multi-pin 2, 110 ohm, 2 V p-p, AES and S/PDIF compatible
Recording Storage Type: Secure Digital High Capacity (SDHC), Secure Digital (SD), CompactFlash (CF), FAT32 formatted, will format memory cards on-board, WAV (Broadcast Wave File format) polyphonic
Sample/Timecode Accuracy: ± 0.2 ppm (0.5 frames per 24 hrs)
TIMECODE & SYNC:
Modes Supported: off, Rec Run, Free Run, 24h Run, External
Frame Rates: 23.976,24,25,29.97DF,29.97ND,30DF,30ND
Accuracy: Ambient generator, 0.5 frame in 24 hrs
Time Code Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (-17 dBu – +3 dBu)
Time Code Output: 1k ohm impedance, 3.0V p-p (+12 dBu)
Word In/Out: square wave; 10k/75 ohm, 1-5V p-p input; 75 ohm, 3.3V p-p output, at SR
POWER:
External: isolated 10-18 V on locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-).
Internal: accepts 5 AA-sized (LR6) batteries, 1.2-1.5 V nominal (NiMH rechargeable compatible).
Operating: -20C to 60C, 0 to 90% relative humidity; (non-condensing) Storage: -40C to 85C
SIZE:
2.1″ x 12.6″ x 7.8″
5.3 x 32 x 19.8 cm
WEIGHT:
4 lbs. 12 oz. (unpackaged, without batteries)
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