Patel began his career in the television industry in 1978 where he worked for the BBC in White City, London. For the past 39 years, Patel has found the changes in technology and television entertainment compelling enough to keep him interested and excited about what he does. He has always worked primarily as an engineer and most recently has worked with several DPs on Beyonce, Taylor Swift, Pearl Jam, the iTunes Film Festival in London and the first ever LIVE Snickers commercial for Super bowl 2017 in 4k. Patel’s interests outside of work include enjoying the national parks, camping, volleyball, soccer and hiking.
Tracy Leming is Imagecraft’s General Manager. After 20+ years in the TV industry Tracy has done everything from front desk reception to rental agent. Tracy enjoys her job, loves her clients, and is excited to be at Imagecraft. Tracy moved from a small town in Northern California to the Los Angeles area in 1997. In her spare time Tracy likes to garden, travel, paint furniture, and play softball. She also enjoys spending time with her family and friends. Tracy is especially close to her two children, Kourtnee and Brandon, and has a boxer named Dude.
Jason Been is the Owner and President of Imagecraft Productions. Jason has been in the television production industry for over 20 years. He started his career in San Diego working sporting events with the San Diego Chargers and San Diego Padres. He soon met Robin Hirsch and Gar Smith, Co-Founders of Imagecraft Productions. He moved to LA to work with Robin and Gar and ended up on staff with Imagecraft full time. Jason eventually took ownership of Imagecraft and has continued to build it into one of LA’s best production equipment rental houses.
Efren Navarro is one of Imagecraft Productions’ shop techs. Efren is a born and raised Californian who has been in the entertainment industry for over 15 years. Efren has experience working with cameras, lenses, operating switcher boards, working as a lighting tech and grip. Efren is hands on and face to face with clients on a daily basis at Imagecraft. He knows the importance of good customer service and works hard to make sure Imagecraft’s clients are happy and have what they need.
Nick Casas has been working in rental houses for over 10 years. Nick works alongside his brother Jason Casas and Efren Navarro building, shipping, and receiving equipment for clients. Nick loves to play golf and enjoys spending as much time with his family as possible.
Jason “JC” Casas started working in production as a driver in 2008. He really enjoys the fast pace work flow of a shop and learning about the new innovative equipment. After working at several rental houses around LA, JC found his way to Imagecraft. “This is my fourth year with Imagecraft and I love the small family feel of the office.” Being a shop tech is something he finds challenging and rewarding day in and day out. JC loves a great game of golf, shooting firearms, playing slow pitch softball, fishing, and spending any chance he gets with family.
Rob Dietze graduated from University of Central Florida with degrees in Film, Radio and Television. He began his career working at Universal Studios Florida as a Live Show Technical Director, Weapons Tech, and Pyro Tech. In 2001, Rob moved to Los Angeles where he began doing freelance production work. Rob met Jason while working on ‘Supernanny‘ as a First AC and Technical Coordinator. In 2011 Rob made the move from freelance to staff as Imagecraft’s Camera Engineer.
In a land where the evil Emperor K-os reigns, one girl embarks on a journey to restore order, schedules, and the integrity of math for the people of the land, The Crew. Meet Lindsay. Lindsay was just an average A+ student at Miami University of Ohio double-majoring in communication and interactive media studies, working 2 part time jobs, and playing softball. Until one day, she saw an ad for Miami’s film club… and everything changed. After dipping her toe in as Director of Programming for the region’s first international film festival, she dove in to every film/commercial/doc project available and gradually realized she wasn’t the same as the other kids. Her skills were unlike anything they’d ever seen. She could itemize budgets, locate large crews, color-coordinate spreadsheets, and manipulate a scheduling matrix with the swiftness of a ninja through the shadows. After graduating early, she tried to hide her abilities and disguised herself as a mindless PA at a local news station, but the calling was too strong and the world needed her. In 2010, she headed to LA in search of a challenge. Her pilgrimage took her from freelance PA to Coordinator to Manager, through the realms of Film, Livestreaming, Music Videos and Commercials until she arrived in a foggy, rule-defying land called Reality TV. In 2011, she discovered a time portal that took her to Imagecraft. There she found a properly equipped battle station where she continues to coordinate her plans. Will she ever defeat her lifelong nemesis, K-os? Will she find the enduring strength to do battle with his minions, The Producers? Will she become the hero we need? Now playing in a Burbank rental house near you.
Ben Fuller is originally from small town Massachusetts, and moved to LA in 2004 to pursue acting. He started at Imagecraft in 2006, and transitioned pretty early on from runner to shop tech, and shortly after to shop manager. Ben is now Imagecraft’s Rentals Manager. “Getting to deal with clients on a daily basis is a good place for me. I still maintain open lines of communication with the shop staff, which has evolved quite a bit since my days in the trenches.” Ben is a huge Boston sports fan, a karaoke junkie, and is always up for an adventure.
Mark Alexander has been in the TV industry since 1980. Mark started his career at B.E.R.C. as a driver, and landed here at Imagecraft Productions 37 years later. Mark’s experience in the industry ranges from delivery driver, to Sound Operator, to Director of Field Operations, and eventually to his position here at Imagecraft as Strategic Account Manager. Mark has been married to his wife Kelli for 35+ years. They have 2 kids and a miniature dachshund named Cool. He loves wine tasting, plays in a dodge ball league, and is an avid reader of history and non-fiction books. He’s even a single digit golfer…sometimes.
Gene Duggan has worked for Imagecraft Productions since 2012. Gene started his career in the TV production industry in 1990 at B.E.R.C., working his way from equipment delivery driver to operations manager. Gene is now Imagecraft’s Director of Sales and Business Development. At work, Gene’s number one priority is his clients and their productions. In his spare time, Gene enjoys spending time with his wife and two sons and playing golf, softball, and basketball.
Fuji 107 X 8.4 Box Lens
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The “UA107x8.4” is a 4K-compatible broadcast zoom lens that achieves the world’s highest zoom of 107x. Covering a wide range of focal lengths, from a best-in-class wide angle of 8.4mm to a super-telephoto range of 900mm, images can be shot at 4K resolution in a variety of applications, such as from sports broadcasting to concerts and live performances. The floating focus system, which controls multiple lens groups according to the shooting distance, achieves high-resolution footage across the entire zoom range. High-resolution and dynamic productions are made possible. In addition, thanks to Fujifilm’s proprietary “optical stabilization mechanism,” image blur due to platform shaking is corrected, allowing a stable image to be shot.
Features:
Achieving the world’s highest zoom ratio of 107x. Achieving both high magnification up to a super-telephoto range of 900mm and 4K-compatible high optical performance
– Allows for dynamic 4K productions such as sports broadcasting.
– Covers a wide range of focal lengths, from a best-in-class wide angle of 8.4mm to a super-telephoto range of 900mm. Exhibits high operability when shooting images in 4K resolution in a variety of applications, such as concerts and live performance broadcasting.
– The floating focus system, which controls multiple lens groups according to the shooting distance, minimizes performance variations caused by the change of shooting distance to deliver high resolution from close-up to infinity.
– Fujifilm’s proprietary multi-layer coating processing, known as “High Transmittance Electron Beam Coating (HT-EBC)”, is applied for enhanced transmittance and color reproduction.
Achieving natural bokeh with the adoption of nine aperture blades
– An aperture shape close to that of a circle is achieved with the adoption of nine aperture blades, allowing for footage expressions making use of a more natural bokeh.
Equipped with popular image-stabilization mechanism
– Equipped with Fujifilm’s proprietary “optical stabilization mechanism,” popular with high magnification zoom lenses. Image blur due to platform shaking is corrected, achieving a stable image.
Equipped with 16 bit encoders
– The lens is equipped with the 16-bit encoders, capable of making high-resolution output of lens data including zoom and focal position information. It can be linked with various other systems such as a virtual studio system for combining CG images with live action footage.
The sensor for converting position information into digital signals; Zoom and focus position data is divided in 16-bit resolution and output as electric signals.
Specifications
Model name – UA107x8.4 BE
Camera specifications – 2/3-inch sensor Bayonet-mount cameras
Focal length – 8.4mm – 900mm, 16.8mm – 1,800mm when using the 2× extender
Zoom ratio – 107 X
F-No. – 1.7(8.4mm-340mm) 4.5(900mm)
Minimum object distance (M.O.D) – 3.05m
Subject dimensions (at the M.O.D)[Horizontal x Vertical] – 8.4mm 3,053mm x 1,717mm, 900mm 30mm x 17mm
16.8mm 1,594mm x 896mm, 1,800mm 15mm x 9mm when using the 2× extender
Angle of view – [Horizontal x Vertical] – 8.4mm 59°26‘ x 35°35’, 900mm 0°37‘ x 0°21’, 16.8mm 31°52‘ x 18°14’, 1,800mm 0°18‘ x 0°10’ when using the 2× extender
Size (H x W x L)
258mm x 264mm x 610mm
Weight
23.9kg
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