The intuitive touchscreen interface is designed for high pressure situations, where a minimum of interaction is desirable to operate the Cinedeck — every tool commonly needed is readily at hand. And there is relatively no learning curve.
Most commonly used tools are accessible within one touch from the main screen. The hi-res touchscreen is the main control surface, but there are also physical buttons for commonly used functions while in full screen preview mode.
Cinedeck RX is designed for the mobile production environment, where space is at a premium and things like cooling and power draw are of utmost importance. The rugged milled aluminum case is built to withstand environments that are on the move like OB vans or flight packs. Weighing less than 10 pounds, measuring 4RU at half-rack width (7″h x 8.5″w x 9″d), it brings tons of functionality in a small footprint.
Configuration for all the connections was designed with protection and accessibility in mind – for example, the SSD drives and headphone jacks are on the front panel, while camera connections (HDMI, 3G HDSDI, LAN), audio, and sync are available on the back panel.
FEATURES:
Ready to edit content recorded to disk: simply eject an SSD and put it in your editing system for a rapid (eSATA or USB) file copy to Mac or PC
Included record/playback control application drives one or multiple Cinedeck RX systems via TCP/IP from workstation
Network-accessible browse and playback via dual GigE ports
Front accessible USB2, USB3 (two) and eSATA connections for copying to external storage
Realtime upconvert/downconvert/crossconvert between more than a dozen resolution/frame rate combinations
Upgradeable architecture designed for feature or codec expansion
SDI Link, choice of LTC or IRIG, and internally generated timecode support on ingest with on-screen timecode display and programmable offset/start values
Optional Ambient Master Clock option for jamsync to external clock source
FORM FACTOR:
Four removable 2.5″ SSD disk drives, front accessible
Redundant wide input DC power: 12-30V (via dual wall adapters)
Rugged anodized aluminum enclosure for extreme durability
Less heat, less power, less weight, less size, more capability than other decks
MONITORING:
Simultaneous pass thru of incoming signal for on-set monitoring
Realtime HD to SD downconvert
Realtime SD to HD upconvert
All video outputs available for monitoring / signal pass thru
Stereo headphone jack for audio monitoring, front accessible
RECORDING:
Unique “double dual-stream” feature provides simultaneous redundant file capture, each to a pair of disks
Capture two channels at one time, with one codec, each writing 2 disk copies (master/safety) simultaneously OR
Supports full mix/match of simultaneous recording of one channel to any two codecs with redundant disk copies of each [For example: 1 Avid DNxHD, 1 Apple ProRes]
DISPLAY:
Large 7″ high-res (1024×600) touchscreen display for realtime preview, focus, and review; 800 NITS brightness; Adjustable viewing angle
Realtime composite and per-channel waveform, vectorscope and histogram for accurate quality control; available in overlay or full screen mode
On-screen reticule overlays: grids, crosshairs, safe frames, metadata, and letterboxing (opaque mask mode available)
Intuitive gestural touch-screen interface designed for ease of use… most overlay functions available during record
SUPPORTED CODECS:
Apple ProRes: 4444, 422 (HQ), 422, 422(LT), 422 (Proxy)
Avid DNxHD: 175/185/220x, 175/185/220, 115/120/145, 36/45 recording MXF OP-Atom or .MOV
CineForm: Filmscan1, Filmscan2, Keying, High, Medium, Low
Uncompressed 444 (10-bit) or 422 (8 or 10-bit) recording .MOV (via single or dual-link 3G HDSDI and HDMI)
SUPPORTED RESOLUTION AND FRAME RATES:
HD – 1080 50/60i
HD – 1080 23.98/24/25/29.97/30 P/PSF
HD – 1080 50/59.94/60 P/PSF
HD – 720 P 50/59.94/60
SD – PAL/NTSC
SIZE:
7″ x 8.5″ x 9″
17.8 x 21.6 x 22.9 cm
4 RU half rack
CINEDECK RX
Call for Price - Day Rate
The intuitive touchscreen interface is designed for high pressure situations, where a minimum of interaction is desirable to operate the Cinedeck — every tool commonly needed is readily at hand. And there is relatively no learning curve.
Most commonly used tools are accessible within one touch from the main screen. The hi-res touchscreen is the main control surface, but there are also physical buttons for commonly used functions while in full screen preview mode.
Cinedeck RX is designed for the mobile production environment, where space is at a premium and things like cooling and power draw are of utmost importance. The rugged milled aluminum case is built to withstand environments that are on the move like OB vans or flight packs. Weighing less than 10 pounds, measuring 4RU at half-rack width (7″h x 8.5″w x 9″d), it brings tons of functionality in a small footprint.
Configuration for all the connections was designed with protection and accessibility in mind – for example, the SSD drives and headphone jacks are on the front panel, while camera connections (HDMI, 3G HDSDI, LAN), audio, and sync are available on the back panel.
FEATURES:
Ready to edit content recorded to disk: simply eject an SSD and put it in your editing system for a rapid (eSATA or USB) file copy to Mac or PC
Included record/playback control application drives one or multiple Cinedeck RX systems via TCP/IP from workstation
Network-accessible browse and playback via dual GigE ports
Front accessible USB2, USB3 (two) and eSATA connections for copying to external storage
Realtime upconvert/downconvert/crossconvert between more than a dozen resolution/frame rate combinations
Upgradeable architecture designed for feature or codec expansion
SDI Link, choice of LTC or IRIG, and internally generated timecode support on ingest with on-screen timecode display and programmable offset/start values
Optional Ambient Master Clock option for jamsync to external clock source
Product Manuals
Specifications
FORM FACTOR:
Four removable 2.5″ SSD disk drives, front accessible
Redundant wide input DC power: 12-30V (via dual wall adapters)
Rugged anodized aluminum enclosure for extreme durability
Less heat, less power, less weight, less size, more capability than other decks
MONITORING:
Simultaneous pass thru of incoming signal for on-set monitoring
Realtime HD to SD downconvert
Realtime SD to HD upconvert
All video outputs available for monitoring / signal pass thru
Stereo headphone jack for audio monitoring, front accessible
RECORDING:
Unique “double dual-stream” feature provides simultaneous redundant file capture, each to a pair of disks
Capture two channels at one time, with one codec, each writing 2 disk copies (master/safety) simultaneously OR
Supports full mix/match of simultaneous recording of one channel to any two codecs with redundant disk copies of each [For example: 1 Avid DNxHD, 1 Apple ProRes]
DISPLAY:
Large 7″ high-res (1024×600) touchscreen display for realtime preview, focus, and review; 800 NITS brightness; Adjustable viewing angle
Realtime composite and per-channel waveform, vectorscope and histogram for accurate quality control; available in overlay or full screen mode
On-screen reticule overlays: grids, crosshairs, safe frames, metadata, and letterboxing (opaque mask mode available)
Intuitive gestural touch-screen interface designed for ease of use… most overlay functions available during record
SUPPORTED CODECS:
Apple ProRes: 4444, 422 (HQ), 422, 422(LT), 422 (Proxy)
Avid DNxHD: 175/185/220x, 175/185/220, 115/120/145, 36/45 recording MXF OP-Atom or .MOV
CineForm: Filmscan1, Filmscan2, Keying, High, Medium, Low
Uncompressed 444 (10-bit) or 422 (8 or 10-bit) recording .MOV (via single or dual-link 3G HDSDI and HDMI)
SUPPORTED RESOLUTION AND FRAME RATES:
HD – 1080 50/60i
HD – 1080 23.98/24/25/29.97/30 P/PSF
HD – 1080 50/59.94/60 P/PSF
HD – 720 P 50/59.94/60
SD – PAL/NTSC
SIZE:
7″ x 8.5″ x 9″
17.8 x 21.6 x 22.9 cm
4 RU half rack
WEIGHT:
10lbs (4.5kg)
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