Patel began his career in the television industry in 1978 where he worked for the BBC in White City, London. For the past 39 years, Patel has found the changes in technology and television entertainment compelling enough to keep him interested and excited about what he does. He has always worked primarily as an engineer and most recently has worked with several DPs on Beyonce, Taylor Swift, Pearl Jam, the iTunes Film Festival in London and the first ever LIVE Snickers commercial for Super bowl 2017 in 4k. Patel’s interests outside of work include enjoying the national parks, camping, volleyball, soccer and hiking.
Tracy Leming is Imagecraft’s General Manager. After 20+ years in the TV industry Tracy has done everything from front desk reception to rental agent. Tracy enjoys her job, loves her clients, and is excited to be at Imagecraft. Tracy moved from a small town in Northern California to the Los Angeles area in 1997. In her spare time Tracy likes to garden, travel, paint furniture, and play softball. She also enjoys spending time with her family and friends. Tracy is especially close to her two children, Kourtnee and Brandon, and has a boxer named Dude.
Jason Been is the Owner and President of Imagecraft Productions. Jason has been in the television production industry for over 20 years. He started his career in San Diego working sporting events with the San Diego Chargers and San Diego Padres. He soon met Robin Hirsch and Gar Smith, Co-Founders of Imagecraft Productions. He moved to LA to work with Robin and Gar and ended up on staff with Imagecraft full time. Jason eventually took ownership of Imagecraft and has continued to build it into one of LA’s best production equipment rental houses.
Efren Navarro is one of Imagecraft Productions’ shop techs. Efren is a born and raised Californian who has been in the entertainment industry for over 15 years. Efren has experience working with cameras, lenses, operating switcher boards, working as a lighting tech and grip. Efren is hands on and face to face with clients on a daily basis at Imagecraft. He knows the importance of good customer service and works hard to make sure Imagecraft’s clients are happy and have what they need.
Nick Casas has been working in rental houses for over 10 years. Nick works alongside his brother Jason Casas and Efren Navarro building, shipping, and receiving equipment for clients. Nick loves to play golf and enjoys spending as much time with his family as possible.
Jason “JC” Casas started working in production as a driver in 2008. He really enjoys the fast pace work flow of a shop and learning about the new innovative equipment. After working at several rental houses around LA, JC found his way to Imagecraft. “This is my fourth year with Imagecraft and I love the small family feel of the office.” Being a shop tech is something he finds challenging and rewarding day in and day out. JC loves a great game of golf, shooting firearms, playing slow pitch softball, fishing, and spending any chance he gets with family.
Rob Dietze graduated from University of Central Florida with degrees in Film, Radio and Television. He began his career working at Universal Studios Florida as a Live Show Technical Director, Weapons Tech, and Pyro Tech. In 2001, Rob moved to Los Angeles where he began doing freelance production work. Rob met Jason while working on ‘Supernanny‘ as a First AC and Technical Coordinator. In 2011 Rob made the move from freelance to staff as Imagecraft’s Camera Engineer.
In a land where the evil Emperor K-os reigns, one girl embarks on a journey to restore order, schedules, and the integrity of math for the people of the land, The Crew. Meet Lindsay. Lindsay was just an average A+ student at Miami University of Ohio double-majoring in communication and interactive media studies, working 2 part time jobs, and playing softball. Until one day, she saw an ad for Miami’s film club… and everything changed. After dipping her toe in as Director of Programming for the region’s first international film festival, she dove in to every film/commercial/doc project available and gradually realized she wasn’t the same as the other kids. Her skills were unlike anything they’d ever seen. She could itemize budgets, locate large crews, color-coordinate spreadsheets, and manipulate a scheduling matrix with the swiftness of a ninja through the shadows. After graduating early, she tried to hide her abilities and disguised herself as a mindless PA at a local news station, but the calling was too strong and the world needed her. In 2010, she headed to LA in search of a challenge. Her pilgrimage took her from freelance PA to Coordinator to Manager, through the realms of Film, Livestreaming, Music Videos and Commercials until she arrived in a foggy, rule-defying land called Reality TV. In 2011, she discovered a time portal that took her to Imagecraft. There she found a properly equipped battle station where she continues to coordinate her plans. Will she ever defeat her lifelong nemesis, K-os? Will she find the enduring strength to do battle with his minions, The Producers? Will she become the hero we need? Now playing in a Burbank rental house near you.
Ben Fuller is originally from small town Massachusetts, and moved to LA in 2004 to pursue acting. He started at Imagecraft in 2006, and transitioned pretty early on from runner to shop tech, and shortly after to shop manager. Ben is now Imagecraft’s Rentals Manager. “Getting to deal with clients on a daily basis is a good place for me. I still maintain open lines of communication with the shop staff, which has evolved quite a bit since my days in the trenches.” Ben is a huge Boston sports fan, a karaoke junkie, and is always up for an adventure.
Mark Alexander has been in the TV industry since 1980. Mark started his career at B.E.R.C. as a driver, and landed here at Imagecraft Productions 37 years later. Mark’s experience in the industry ranges from delivery driver, to Sound Operator, to Director of Field Operations, and eventually to his position here at Imagecraft as Strategic Account Manager. Mark has been married to his wife Kelli for 35+ years. They have 2 kids and a miniature dachshund named Cool. He loves wine tasting, plays in a dodge ball league, and is an avid reader of history and non-fiction books. He’s even a single digit golfer…sometimes.
Gene Duggan has worked for Imagecraft Productions since 2012. Gene started his career in the TV production industry in 1990 at B.E.R.C., working his way from equipment delivery driver to operations manager. Gene is now Imagecraft’s Director of Sales and Business Development. At work, Gene’s number one priority is his clients and their productions. In his spare time, Gene enjoys spending time with his wife and two sons and playing golf, softball, and basketball.
PANASONIC AG-HVX200
Call for Price - Day Rate
The AGHVX200A offers all the invaluable features of the popular AG-HVX200 and adds a higher-resolution 3-CCD imager and improved image performance.
The HVX200A is equipped with a 1/3″ 16:9 progressive 3-CCD imager (effective resolution of 1.1 million active pixels with a spatial offset) that delivers outstanding image quality. It offers lower smear and a higher S/N ratio that results in lower noise and better low light performance than the prior model. The HVX200A’s image quality is also enhanced by a new high-performance digital signal processor (DSP) featuring 14-bit A/D conversion and 19-bit inner processing. Equivalent to the processors used in many higher-end HD cameras, this new DSP ensures precise, beautiful recordings in all video formats. Because the HVX200A scans at native 1080P for the initial picture processing, users get the highest level of vertical resolution, whether shooting in HD or SD.
FEATURES:
Multiple format recording: DVCPRO HD, DVCPRO 50, DVCPRO, DV selectable
Supports 1080/60i, 1080/24p, 1080/24pA, 1080/30p, 720p/60p, 720/24p (over 60p), 720/30p (over 60p), 720/24pN native, 720/30pN native 480/60i, 480/24p (over 60i), 480/24pA (over 60i), 480/30p (over 60i)
Uncompressed 4-channel, 16-bit digital audio recording in DVCPRO HD and DVCPRO50
Eight gamma settings for various shooting scenarios, including News Gamma and Cine-Like Gamma for recordings that capture the warm tones of film
Advanced image adjustments include color matrix, detail, chroma phase, color temp, knee points
Cam-driven manual zoom, large manual iris control, focus assist, gain, two ND filters (1/8th and 1/64th) as well as slow, synchro and high-speed shutter
A 3.5″ LCD monitor allows thumbnail display of footage, while a large electronic viewfinder can show peaking for easier focusing
A multitude of recording functions including pre-record (to capture moments that occur right before the start button is pressed), hot-swapping, shot-marking, loop recording, interval and one-shot recording for stop-motion and effects
Internal downconversion to miniDV Tape
Interfaces include IEEE 1394 and USB 2.0 interfaces (connect directly to a PC or MAC), built-in stereo microphone, two XLR inputs with phantom power and analog component signal terminals
Convenient operation functions include a programmable scene file dial with six presets, three user buttons and manual/auto settings for aperture, gain, tracking white balance and focus
Auto trace white (programmable to several locations), two manual white balance settings (3200K, 5600K), zebra levels, tally lamps and center marker
Offers full time code functionality (including time code jamming over IEEE 1394 (Firewire) from another device)
SD memory card slot for sharing scene files or saving user files
Remote control offers quick control of settings, start/stop, zoom, focus, auto/manual/iris control, and more
Lightweight (5.5 lbs), ergonomic design with trigger/zoom control located on upper handle grip for handheld work
Product Manuals
Specifications
Signal System:
NTSC
1080/60i, 30p, 24p
720/60p, 30p, 24p
480/60i, 30p, 24p
Image Device: 3-CCD, 1/3″, 16:9 Native Aspect Chips
Lens: Leica Dicomar 13x Zoom, 4.2-55mm f/1.6-2.8
(35mm Still Film Equivalence 30.3-394 mm)
Filter Diameter: 82mm
Signal-to-Noise Ratio: Not Specified By Manufacturer
Horizontal Resolution: 1080 Lines
Sensitivity: Not Specified By Manufacturer
Minimum Illumination: 3 lux
Vertical Smear: Not Specified By Manufacturer
Built-in Filters: 1/8 ND, 1/64 ND
LCD Monitor: 3.5″
Viewfinder: 0.44″, Monochrome/Color Switchable
Scan Matching: Yes, Different Ranges for Different Record Modes
Memory Card Slot:
SD Memory Cards for Scene-File Sharing
Two P2 Card Slots for Video
Shutter Speed Range: 1/12 to 1/2000 sec (depends on Record Mode)
Gain Selection: 0-18 dB Range
VTR
Tape Format: MiniDV
Tape Speed: SP: 18.812 mm/s, LP: 12.555 mm/s
Signal-to-Noise Ratio: Not Specified By Manufacturer
Maximum Recording Time:
60 min with MiniDV Cassette
128 min with 32GB P2 Card (256 min with 2)
AUDIO
Audio Dynamic Range: Not Specified By Manufacturer
Audio Signal Format: 16 bit/48kHz Four Channels
Audio Frequency Response: 20Hz to 20kHz
Signal to Noise Ratio: Not Specified By Manufacturer
INPUTS/OUTPUTS
FireWire: 4-Pin (x1)
Component Video: Special D Connector (x1 Output)
S-Video: 4-Pin (x1 Input, Output )
Composite Video: RCA (x1 Input, Output)
Audio: XLR (x2 Input)
Audio: RCA (x2 Input, Output)
Headphone: Stereo Mini (x 1)
USB: Type 2 (x1)
Power: Special Coaxial (x1 Input)
POWER
Power Requirements: 7.9VDC
Power Consumption: 14W
Operating Temperature: 32-104F (0-40C)
SIZE:
6.7 x 7.1 x 15.2″
16.9 x 18 x 39 cm
WEIGHT:
5.2 lbs (2.4kg)
Related products
SONY PDW-F355
Call for Price - Day Rate Read moreCANON BP-A60 BATTERY
Call for Price - Day Rate Read more150MM RAPTOR LENS
Call for Price - Day Rate Read moreCANON BP-A30 BATTERY
Call for Price - Day Rate Read moreCINOFLEX TYPE-C300 BASEPLATE
Call for Price - Day Rate Read moreSONY HXR-MC1 POV CAMERA
Call for Price - Day Rate Read moreSONY HVR-A1U
Call for Price - Day Rate Read moreSONY PMW-100
Call for Price - Day Rate Read moreSCHNEIDER OPTICS 4×5.65 CLASSIC SOFT 1/8 FILTER
Call for Price - Day Rate Read moreFUJINON HA14x4.5BERM / BERD
Call for Price - Day Rate Read more