Imagecraft Productions offers an ARRI AMIRA Premium Camera Rental option, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, ARRI AMIRA camera rental is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let our ARRI AMIRA camera rental be your companion.
FEATURES:
Pre-record function
Crucial for wildlife filmmakers, the pre-record function uses an internal buffer in the camera to perpetually record a loop, the length of which depends on what options are selected. When the REC button is hit, the clip recorded to the CFast 2.0 card will include the specified pre-record period at its start.
Bluetooth audio monitoring
This allows the camera operator, or anyone else on set, to monitor audio through wireless Bluetooth headphones. In addition, by using a microphone-equipped Bluetooth headset, spoken comments can be recorded during filming to provide notation or guidance for editing and other postproduction tasks. These comments are recorded to a fifth audio track, aligned with the four main audio tracks, but kept separate from them.
Dynamic auto tracking white balance
For situations that involve a change of color temperature during a shot, such as when a character is followed from a tungsten interior to a daylight exterior, the new dynamic tracking option makes an automatic white balance adjustment. By using a sophisticated algorithm developed by ARRI, this adjustment is seamless and undetectable even for the most extreme color temperature transitions.
Wifi* and Ethernet remote
allows the graphical user interface (GUI) on AMIRA’s LCD panel to be displayed live on a device, such as a smartphone, tablet or laptop, that is connected to the camera via Wifi* connection or an Ethernet cable. The user interface exactly replicates the camera’s home screen menu, much like the AMIRA Simulator web tool.
EF and B4 lens support
With the EF mount, AMIRA users can benefit from the huge range of available EF mount stills lenses, electronically controlling the iris in these lenses through the camera’s user interface. B4-type lenses with an integrated servo module gain support for the auto iris function, while one other servo button can also be used as an assignable user button.
Fast boot-up time – AMIRA boots up in about 13 seconds.
Color bar – a color bar is used mainly to judge the colorimetry of the monitor displaying the camera output.
Waveform display – a further tool for judging exposure levels.
Enhanced HD-SDI outputs
AMIRA’s HD-SDI outputs allow the overlay of information about timecode and other parameters that is seen in the viewfinder, to also be seen on monitors. Additionally, it is also possible to use an HD-SDI signal input as a further ‘genlock-like’ sync option.
LDS functionality
ARRI’s Lens Data System (LDS) comprises a range of products generating highly accurate lens metadata for use on set and in post. When using an LDS lens on AMIRA’s LDS mount, lens data about iris, focus and zoom positions is visible in the viewfinder and all lens data will be embedded in the recorded QuickTime files.
– Environmental: -20 degrees C to +50 degrees C (-4 degrees F to +122 degrees F)
– Viewfinder: AMIRA Multi Viewfinder MVF-1 (OLED and LCD)
– Outputs Video:n 2x HD-SDI outputs: 1.5G, 3G and 6G; uncompressed HD/UHD video with embedded audio and metadata***
– Outputs Audio: 3,5mm headphone jack, Bluetooth audio
– Outputs Power: Hirose 12pin (for ENG type zoom lenses); 12V: D-tab, Hirose 4pin, Lemo 2pin; 24V: RS 3pin
– Inputs: Genlock, HD-SDI88, Timecode (In and Output), all BNC
– Other Interfaces: USB 2.0: For importing and storing AMIRA Look Files, user set up files, frame line files and feature license keys. Stores captured still image formats in DPX (.dpx, 10 bit) or JPEG (.jpg, 8 bit) format. Stores log files. Also used for installing Software Update Packets (SUPs.; Ethernet LAN RJ-45 for camera remote control.
ARRI AMIRA PREMIUM
Call for Price - Day Rate
Imagecraft Productions offers an ARRI AMIRA Premium Camera Rental option, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, ARRI AMIRA camera rental is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let our ARRI AMIRA camera rental be your companion.
FEATURES:
Pre-record function
Crucial for wildlife filmmakers, the pre-record function uses an internal buffer in the camera to perpetually record a loop, the length of which depends on what options are selected. When the REC button is hit, the clip recorded to the CFast 2.0 card will include the specified pre-record period at its start.
Bluetooth audio monitoring
This allows the camera operator, or anyone else on set, to monitor audio through wireless Bluetooth headphones. In addition, by using a microphone-equipped Bluetooth headset, spoken comments can be recorded during filming to provide notation or guidance for editing and other postproduction tasks. These comments are recorded to a fifth audio track, aligned with the four main audio tracks, but kept separate from them.
Dynamic auto tracking white balance
For situations that involve a change of color temperature during a shot, such as when a character is followed from a tungsten interior to a daylight exterior, the new dynamic tracking option makes an automatic white balance adjustment. By using a sophisticated algorithm developed by ARRI, this adjustment is seamless and undetectable even for the most extreme color temperature transitions.
Wifi* and Ethernet remote
allows the graphical user interface (GUI) on AMIRA’s LCD panel to be displayed live on a device, such as a smartphone, tablet or laptop, that is connected to the camera via Wifi* connection or an Ethernet cable. The user interface exactly replicates the camera’s home screen menu, much like the AMIRA Simulator web tool.
EF and B4 lens support
With the EF mount, AMIRA users can benefit from the huge range of available EF mount stills lenses, electronically controlling the iris in these lenses through the camera’s user interface. B4-type lenses with an integrated servo module gain support for the auto iris function, while one other servo button can also be used as an assignable user button.
Fast boot-up time – AMIRA boots up in about 13 seconds.
Color bar – a color bar is used mainly to judge the colorimetry of the monitor displaying the camera output.
Waveform display – a further tool for judging exposure levels.
Enhanced HD-SDI outputs
AMIRA’s HD-SDI outputs allow the overlay of information about timecode and other parameters that is seen in the viewfinder, to also be seen on monitors. Additionally, it is also possible to use an HD-SDI signal input as a further ‘genlock-like’ sync option.
LDS functionality
ARRI’s Lens Data System (LDS) comprises a range of products generating highly accurate lens metadata for use on set and in post. When using an LDS lens on AMIRA’s LDS mount, lens data about iris, focus and zoom positions is visible in the viewfinder and all lens data will be embedded in the recorded QuickTime files.
Product Manuals
Specifications
– Sensor Type: 35mm format ARRI ALEV III CMOS (28.17×18.13)
– Sensor Pixel Count: 3200×1800 (4K UHD, 3.2K) 2880 x 1620 (HD), 2868 x 1612 (2K), for monitoring with surround area: 3168 x 1772 (HD), 3154×1764 (2K), 3414 x 2198 (4K UHD, 3.2K)
– Recording Pixel Count: 1920×1080 ProRes HD and HD outputs, 2048 x 1152 ProRes 2K, 3200×1800 ProRes 3.2K, 3840 x 2160 Pro Res 4K UHD and UHD outputs*
– Lens Mounts: PL mount w/ Hirose connector and LDS, B4 mount w/ Hirose connector, EF mount, PL mount titan (ALEXA Mini)
– Shutter: Electronic shutter, 5.0 degrees to 356.0 degrees
– Exposure Index: EI 160 to EI 3200 (EI 800 base sensitivity)
– Exposure Latitude: 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
– Audio Recording: 4 channels, 24 bit PCM, 48 kHz
– Integrated motorized ND Filters: FSND 0.6, 1.2, 2.1
– Sound Level: < 20 dB(A)
– Environmental: -20 degrees C to +50 degrees C (-4 degrees F to +122 degrees F)
– Viewfinder: AMIRA Multi Viewfinder MVF-1 (OLED and LCD)
– Outputs Video:n 2x HD-SDI outputs: 1.5G, 3G and 6G; uncompressed HD/UHD video with embedded audio and metadata***
– Outputs Audio: 3,5mm headphone jack, Bluetooth audio
– Outputs Power: Hirose 12pin (for ENG type zoom lenses); 12V: D-tab, Hirose 4pin, Lemo 2pin; 24V: RS 3pin
– Inputs: Genlock, HD-SDI88, Timecode (In and Output), all BNC
– Other Interfaces: USB 2.0: For importing and storing AMIRA Look Files, user set up files, frame line files and feature license keys. Stores captured still image formats in DPX (.dpx, 10 bit) or JPEG (.jpg, 8 bit) format. Stores log files. Also used for installing Software Update Packets (SUPs.; Ethernet LAN RJ-45 for camera remote control.
– Recording Media: CFast 2.0 memory cards
– Recording Formats: HD 1920×1080 (interlaced & progressive),2K 2048×1152,
– 3.2K ProRes 3200×1800*
– 4K UHD 3840×2160*
– Recording Framerates:
0,75 – 200 Fps (progressive) HD, 2K
0,75 – 60 Fps 4K UHD & 3.2K*
0,75 – 120 Fps HD, 2K in ProRes 4444 XQ
0,75 – 30 Fps 4K UHD & 3.2K* in ProRes 4444 XQ
MPEG-2: 23.98p, 25p, 29.97p, 50i, 59.94i
– Recording Codecs (w/ embedded audio & metadata):
ProRes
ProRes 4444 XQ
ProRes 4444
422 HQ
422
422 LT
MPEG-2
– Rec709/LogC: Rec709
– Looks: Complete Look functions; import Looks
– Adjustable image parameters:
Knee, Gamma, Saturation, Black Gamma, Saturation by Hue
ASC CDL parameter (Slope, Offset, Power, Saturation)
– Import of custom 3D LUTs
– Focus and exposure control: Peaking, Zebra, False color
– Whitebalance; Auto WB, Dynamic auto tracking WB
– Wifi and Ethernet Camera Remote Control
– Audio monitoring: Headphone output (mini jack)Headphone output (mini jack), Bluetooth audio monitoring
– Pre Record function
– Intervalometer
– Multicam interface
– S16 lens mode
* Requires installed 4K UHD license
** not available in 4K UHD mode
*** embedded audio only in 1,5G and 3G
SIZE:
12.1″ Length x 5.4″ Width x 5.8 Height (Camera body with PL lens mount)
WEIGHT:
4.1 kg/9.2 lbs (camera body with PL Lens mount)
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